Mr Rochester đ Members
Romance and manners. From Jane Eyre, Charlotte BrontĂŤ (1847). A wealthy English gentleman of about forty, master of Thornfield Hall, who falls in love with his young governess Jane Eyre despite being secretly married to a mad woman.
Care note: S: locked his wife in the attic. No romance with any child.
Age and build
Age approximately forty at time of governess employment
âMr. Rochester was about forty, and this governess not twentyâ (Jane Eyre, part 36)
Athletic build, broad-chested and thin-flanked
âI suppose it was a good figure in the athletic sense of the termâbroad chested and thin flanked, though neither tall nor gracefulâ (Jane Eyre, part 13)
Face and hair
Broad, square forehead with horizontal sweep of black hair
âhis square forehead, made squarer by the horizontal sweep of his black hairâ (Jane Eyre, part 13)
Broad and jetty eyebrows
âI knew my traveller with his broad and jetty eyebrowsâ (Jane Eyre, part 13)
Decisive nose remarkable for character rather than beauty
âhis decisive nose, more remarkable for character than beautyâ (Jane Eyre, part 13)
Full nostrils denoting choler, grim mouth, chin and jaw
âhis full nostrils, denoting, I thought, choler; his grim mouth, chin, and jawâyes, all three were very grim, and no mistakeâ (Jane Eyre, part 13)
Great, dark eyes with occasional softness in their depths
âhe had great, dark eyes, and very fine eyes, tooânot without a certain change in their depths sometimes, which, if it was not softness, reminded you, at least, of that feelingâ (Jane Eyre, part 14)
Granite-hewn features
âreceiving the light of the fire on his granite-hewn features, and in his great, dark eyesâ (Jane Eyre, part 14)
Dress
Wears a cloak when first encountered
âHis shape, now divested of cloak, I perceived harmonised in squareness with his physiognomyâ (Jane Eyre, part 13)
Sits in damask-covered chair in after-dinner mood
âMr. Rochester, as he sat in his damask-covered chair, looked different to what I had seen him look beforeâ (Jane Eyre, part 14)
Voice and speech
Deep and rather sarcastic voice
âthe deep and rather sarcastic voice of Mr. Rochester, proceeding from the depths of an immense easy-chair at the firesideâ (Jane Eyre, part 14)
Mellow, powerful bass that finds way through ear to heart
âhe didâa mellow, powerful bass, into which he threw his own feeling, his own force; finding a way through the ear to the heart, and there waking sensation strangelyâ (Jane Eyre, part 17)
Speaks French fluently
âyou speak my language as well as Mr. Rochester doesâ (Jane Eyre, part 11)
Signature words
Uses 'Humph' as an interjection
âHumph!â said Mr. Rochester, and he took his tea in silenceâ (Jane Eyre, part 13)
Addresses Jane as 'Janet'
âSoon to be Jane Rochester,â he added: âin four weeks, Janet; not a day moreâ (Jane Eyre, part 24)
Uses French phrases such as 'tiens-toi tranquille, enfant; comprends-tu'
âtiens-toi tranquille, enfant; comprends-tuâ (Jane Eyre, part 14)
Calls Jane 'provoking puppet' and 'malicious elf'
âhe had no such honeyed terms as âloveâ and âdarlingâ on his lips: the best words at my service were âprovoking puppet,â âmalicious elf,â âsprite,â âchangeling,â &câ (Jane Eyre, part 24)
Uses term 'fairy' for Jane
âHow well you read me, you witch!â interposed Mr. Rochesterâ (Jane Eyre, part 25)
Gait and mannerisms
Half reclines on a couch, foot supported by cushion
âHalf reclined on a couch appeared Mr. Rochester, his foot supported by the cushionâ (Jane Eyre, part 13)
Makes strange and equivocal grimaces
âHe made a curious grimaceâone of his strange and equivocal demonstrationsâ (Jane Eyre, part 21)
Smiles rarely, with a smile that is real sunshine of feeling
âhe smiled at me with a certain smile he had of his own, and which he used but on rare occasions. He seemed to think it too good for common purposes: it was the real sunshine of feelingâ (Jane Eyre, part 22)
Walks with firm, resolute stride on wedding day
âI was hurried along by a stride I could hardly follow; and to look at Mr. Rochesterâs face was to feel that not a second of delay would be tolerated for any purposeâ (Jane Eyre, part 26)
Strengths
Possesses force to influence and spell to attract
âI have certain tastes and feelings in common with him. I must, then, repeat continually that we are for ever sunderedâ (Jane Eyre, part 17)
Talented and lively in society, general favourite
âMr. Rochester is so talented and so lively in society, that I believe he is a general favouriteâ (Jane Eyre, part 16)
Courageous and selfless in fire, rescues servants and wife
âhe went up to the attics when all was burning above and below, and got the servants out of their beds and helped them down himself, and went back to get his mad wife out of her cellâ (Jane Eyre, part 36)
Physically strong and athletic
âhe could have struck Mason, dashed him on the church-floor, shocked by ruthless blow the breath from his bodyâ (Jane Eyre, part 26)
Flaws
Proud, sardonic, and harsh to those of inferior station
âHe was proud, sardonic, harsh to inferiority of every descriptionâ (Jane Eyre, part 15)
Moody and unaccountably melancholic
âHe was moody, too; unaccountably so; I more than once, when sent for to read to him, found him sitting in his library alone, with his head bent on his folded armsâ (Jane Eyre, part 15)
Former faults of morality, though now corrected
âhis former faults of morality (I say former, for now he seemed corrected of them) had their source in some cruel cross of fateâ (Jane Eyre, part 15)
Sudden and headstrong nature capable of rash decisions
âa freak very possible to a nature so sudden and headstrong as hisâ (Jane Eyre, part 16)
Attempts bigamy and deceives Jane about his marriage
âBigamy is an ugly word!âI meant, however, to be a bigamist; but fate has out-manoeuvred me, or Providence has checked meâ (Jane Eyre, part 26)
Traits
Naturally a man of better tendencies and higher principles
âI believed he was naturally a man of better tendencies, higher principles, and purer tastes than such as circumstances had developedâ (Jane Eyre, part 15)
Kind and generous to Adèle, his ward
âhe was always kind to me and gave me pretty dresses and toysâ (Jane Eyre, part 11)
Becomes more uniform and cordial in manner over time
âHis deportment had now for some weeks been more uniform towards me than at the first. I never seemed in his way; he did not take fits of chilling hauteurâ (Jane Eyre, part 15)
Capable of genuine affection and deep love
âHe loved me so truly, that he knew no reluctance in profiting by my attendance: he felt I loved him so fondly, that to yield that attendance was to indulge my sweetest wishesâ (Jane Eyre, part 38)
Lines in their own words
Sarcastic command to Adèle
âYes, there is your âboiteâ at last: take it into a corner, you genuine daughter of Paris, and amuse yourself with disembowelling itâ (Jane Eyre, part 14)
Teasing Jane about her appearance
âYou must see the carriage, Jane, and tell me if you donât think it will suit Mrs. Rochester exactly; and whether she wonât look like Queen Boadicea, leaning back against those purple cushionsâ (Jane Eyre, part 22)
Proposing marriage to Jane
âJust this promiseââI will be yours, Mr. Rochesterâ (Jane Eyre, part 27)
Confessing his marriage to Bertha
âI now inform you that she is my wife, whom I married fifteen years ago,âBertha Mason by nameâ (Jane Eyre, part 26)
Expressing devotion after regaining Jane
âif she does, she will be too late, for our honeymoon will shine our life long: its beams will only fade over your grave or mineâ (Jane Eyre, part 38)
Reference sheet
Film looks we will not copy
- Orson Welles, Toby Stephens or Michael Fassbender looks
Always book accurate. Every quote above was checked word for word against our stored copy of the text. Pictures are made with AI from the book's own description and checked by hand for film looks.
